This article examines how Newfoundland’s supposed “wins” in land and resource politics often amount to optics rather than substance. From Gros Morne’s UNESCO designation and the displacement of families, to federal “custodial management” of the fisheries, to new wind-to-hydrogen megaprojects backed abroad, locals are consistently left with symbolic recognition while real control and economic benefits flow outward. Even at the municipal level, provincial bailouts reinforce dependency rather than autonomy. By tracing these patterns, the piece argues that Newfoundland’s resource governance operates as theatre: protecting appearances while leaving communities with empty hands.
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